Showing posts with label Irish World Heritage Centre. Show all posts
Showing posts with label Irish World Heritage Centre. Show all posts

Sunday, 5 November 2017

Well, Minnie: An Echo of Ireland

By Rose Morris

As part of Manchester Irish Festival 2017, MIW wrote and performed original and historical work for our event, ‘Echoes of Ireland.’ Voices from our past echo down to us through the years and the miles, inspiring us to pass that echo on. 

My Echo comes from a letter written by my grand uncle, Francis, to his sister Minnie in San Francisco in 1915.  

A copy of the letter was brought back to Tyrone by his niece in the 1980’s when she visited Ireland for the first time in search of her roots. His niece was able to tell us that her mother would never have read this letter as she died giving birth to herself on the 29th September 1915.

The letter was dated 19th September and taking into account the time it would have taken for surface mail in those days it would not have arrived until after her death.



WELL, MINNIE


Irish Craveny, Ballygawley, Tyrone
19th September 1915. 
Well Minnie, dear sister.
Just a few lines
hoping to find you in good health.
These lines leave us fine.

Well Minnie, I have watched this long time
for a letter from you.
We have got Johnny married,
so that’s a change here.
She’s Roseanne O’Neill.
a neighbour of Susan’s.
Only twenty years of age.
That’s young enough to marry.
We are quite happy with her.
It was with all of her wishes.
She is good to mother and father.
That’s a great comfort to us.
It makes it alright
and that’s best of all.

Well Minnie, I am the only one left now
and it’s hard to say how I am to pull through,
for marryings make great changes you know
and my home will soon be over there too.


That’s all at present.
Hoping to hear from you soon.
They all join in sending best wishes
To your husband and family.
Your loving brother,
Francis McCann

Uncle Francis never did get to America, he moved out of his home to leave Johnny and his new wife their own space, lived alone as a bachelor until my mother looked after him in his old age at our house where he died in 1956.

This letter echoes a hidden story of his hopes and dreams of joining the rest of his emigrated family members. He never realised this dream and we never knew of it until it echoed again in the 1980’s long after he had gone.
~~~~~~~~~~~
Words & Images © Rose Morris

Rose Morris was born near Dungannon, in Co. Tyrone. Having retired from a career in Art and Design Education in Greater Manchester she now spends more time pursuing her creative interests and involvement in community projects in Manchester and Tyrone.
She co-founded the Manchester Irish Writers group with Alrene Hughes in 1994 and reckons that her continued involvement and sharing within that group has greatly enhanced the development of her own writing. 
Her monologues have been performed at the Library Theatre and the Royal Exchange and her short stories and poetry have been published in the Manchester Irish Writers’ collections; The End of the Rodden, The Retting Dam, Stone of the Heart, Drawing Breath and Changing Skies.

Rose wrote “Well Minnie” for MIW's Manchester Irish Festival event, “Echoes of Ireland”, which was performed at the Irish World Heritage Centre, Manchester in  March 2017.

Sunday, 28 May 2017

Manchester Arena, May 22 2017

The senseless slaughter of 22 innocent people, along with the maiming and traumatising of so many others at Manchester Arena last Monday night is beyond comprehension. 


Manchester Irish Writers offer their deepest sympathies to all those involved. As writers, many of us have responded in the only way we know how.


FIRST NIGHT AT THE ARENA
By E.M. Powell

As so many Manchester parents know only too well, allowing your teenage daughter to go to the Arena to a gig with a group of friends for the first time is a rite of passage.

They take no notice of your 'Be Carefuls': Make sure you stay together. Don't go to the loo on your own. If you get separated, go to one of the staff. When you come out, watch the road, there's cars everywhere. Make sure your phone's charged up. Dad and I will be in the car at that corner after. Yes, that one. No, THAT one. They haven't listened to a word.

You wave them off, heart in your mouth. At pick up time, (we'll be there from 10:15 in case it finishes early, no, I know it says 10:30 on the ticket, but just in case) you're at that corner. It's raining. Of course it is. So many coming out, so many who could be yours but aren't. You're just watching for yours. Texts. No, THAT corner. Then the text: 'It's ok, I can see you.'

Then she's in, they're all in, soaked of course because they didn't have coats. A back seat full of giggles, shrieks and the car steams up. They're dropped off one by one. The car's quiet. It's just yours left. 'Did you have a good time?' The phone's out again. 'Yeah.' Then we're home. Home.

That's how it's supposed to happen. This morning, I can only thank every God there is, that that was how it happened for us. That mine came home.



MANCHESTER - 23 MAY 2017 
By Martha Ashwell

The sun shines too brightly today;
Clouds should be shrouding our city in gloom.
The rubble and debris of so many lives
Remains to be swept up in the wreckage of dreams.

Beautiful children and smiling young faces
Killed in an instant; heavenly themes lost in the music.
Parents bereft of their hopes and their dreams,
Their children’s lives destroyed without warning.

Hatred and anger inspire the violence 
Erupting indiscriminately.
Why has it happened?
What is the answer?  

Kindness and giving rise to the surface;
The warmth of Mancunians caresses the sadness.
The world looks on and determines;
The only way to conquer evil is through love.



AFTERMATH
By Kevin McMahon
Manchester 23.5.2017

In the green glow 
of Whitworth Park
students bristle with 
mid-exam frenzy 
of relaxation.
A yellow frisbee
scutters between trees.
A woman sits 
on tartan square 
in leaf-shade
and watches her child
crawl across the rug
recoiling at each edge
when she feels
the cool prick of grass.
Although she smiles
this mother cannot quell
the gall of dread,
One day this child
will feel her way
beyond her narrow
boundaries;
will want to join
her friends in happy
concert crowds, 
with appeasing -
meaningless -
cautious promises; 
will step beyond
the limits of her care.



THE MORNING AFTER
By Patrick Slevin

You noticed. I was late. Hung on for too 
Many goodbyes. Held the kids a little
Tighter. Because that world was still out there. 

Cars sat, subdued. Red eyes watching red lights.
Busy searching for yesterday, before 
The landscape changed.

I rang you before I got there. Couldn’t 
Think of any words. If I said I loved you too
Many times, it’s because of those who can’t.



Sunday, 23 April 2017

Black Shamrock (Shammerdoo): A Poem

By Patrick Slevin

Dermot Healy wrote – ‘We forget what we owe to what we’ve forgotten till we encounter it again out of the corner of the eye, in passing.’ 

Shammerdoo (Seamir Dubh) is a townland near Kilkelly in county Mayo. Its meaning is black sorrel, or shamrock.



BLACK SHAMROCK (SHAMMERDOO)

Image used with kind permission of the Connolly family

I never knew him. Not the black and white
Young man. Not the Kodachrome old. With the 
Good wall behind him and the dog. The face
Ringed with lines like the map of his hill, breezes
From Paul Henry skies. 

Image used with kind permission of the Connolly family

  The grass doesn’t grow
In the mud from Mary Anne’s where he walked
Every day, only cloven prints now outlined
By green dew, and purples and blues clawing 
Out from old stones. 

We search to stoke fires with 
Burnt tongs. 
        Your past and our future collide
In the present behind this barbed wire 
Lock. 
           It reeks of the fields in here.

Old jacket still hanging behind the old 
Door. Springs erupt from the mattress, unslept
And rotted with rust. You say no to opening
The flea ridden hag curtain, the doll’s house

Image: © Patrick Slevin

He built you sits still on the floor. Rain briefly
Cracks on the wrought orange roof but the sleep
In this stead carries on, like all those days
Before. You remind me there was ten of 

Them once fractioned in these three rooms. I 
Stand in a doorway, it comes up to my 
Neck, I almost sit down in his chair for a
Picture, by the damp dresser, by the green

Image: © Patrick Slevin

And red tiles, clinging under the mantel,
Where a flat Christmas card warns about
Turkey, your mother’s handwriting fades in
Those misty old wishes. We both try to 

Say that sweet Irish proverb, under the
White horse and trap, holding it at angles
To the tiny window, 
later we learn 
It reads ‘Made in Japan’. 

    By some leaning
Brown bottles we pick up the tongs and
Think of the fire, the other side of the 
Hill. You sit on the remains, gently, of 
The good wall, for a minute, it all doesn’t 

© Carmel Slevin
Seem that long ago now. I raise the tongs,
Like in Zulu, and we turn in the sun,
Shining over Shammer, treading backwards,
As fields swarm round the Callaghan place.

~~~~~~~~~~~
Text: © Patrick Slevin



Patrick Slevin lives in Stockport. He has been writing poems and stories for many years.







Patrick wrote 'Black Shamrock (Shammerdoo)' for Manchester Irish Writers' event, 'Echoes of Ireland', performed at the Irish World Heritage Centre Manchester on 9 March 2017. 


Monday, 17 April 2017

1916: The Risen Word

Manchester Irish Writers marked the centenary of Ireland's Easter Rising in March 2016 with our event, '1916: The Risen Word' at the Irish World Heritage Centre, Manchester. For '1916: the Risen Word', we wrote original poems, monologues, drama and more inspired by the events of the Rising and its aftermath. MIW received the generous support of the Embassy of Ireland for this event.


We have since published many of our pieces on this blog. For Easter 2017, here is a compilation of those posts.

Poem by Bridie Breen


By Barbara Aherne


Poem by E.M. Powell


Proclaim the Dream
Poem by Rose Morris


By Kathleen Handrick


Elizabeth's Vanishing Brogues
Poem by Kevin McMahon


By Marion Riley


By Des Farry


Summer 1979
Poem by Patrick Slevin


Both Sides of the Divide
Poem by Martha Ashwell


Saturday, 15 April 2017

Proclaim the Dream: A Poem

By Rose Morris

Why were many of the poets and writers  of the Irish Cultural Revival at the beginning of the 20th century motivated to take up arms to fight for Irish Freedom? Why did some of them enlist to fight in the first World War?

For the latter I bring to mind Francis Ledwidge and Tom Kettle who were both preparing to fight for Irish freedom but decided instead to enlist in the British Army following John Redmond’s speech at Woodenbridge when he called on the Irish Volunteers 'to go wherever the firing line extends'.

Tom Kettle wrote a poem for his baby daughter, Betty, to try and explain his own reason for deserting her and going to war in France where he died in September 1916. He wanted her to know that he didn’t die for a king or a country, but “for a dream, that was born in a herdsman’s shed” and for ‘ the sacred scriptures of the poor'.

All the executed leaders of the 1916 Rising had their dreams too and they also left behind letters and parting words to their loved ones and these lines equally live on in this shared history.



PROCLAIM THE DREAM

Kilmainham Gaol. Dublin, Ireland
Photo credit: Carl Mikoy via Visualhunt.com / CC BY 2.0

Whether the dream was born in a herdsman’s shed 
Or died in a stone breakers’ yard it still lives on 
 Through rhyme and reason in many a heart, 
 A revised history, a contested legacy 

Some will look back and call it sublime
Some will say it was a glorious madness
The bittern will cry in the wild sky unheard 
And Pearce will have gone his way in sadness

Patrick Pearse
Image: Public domain, via Wikimedia Commons

Betty may have grown up cherishing her father’s lines 
Believing that he lies in shame with the foolish dead,
Where he fell at Ginchy, buried in some unknown grave
No honour, just blame, she a child of circumstance.

Thomas Kettle
Image: Public domain, via Wikimedia Commons

The sixteen who died for Ireland’s freedom
Will be more remembered for their gallant part,
Fifteen face a firing squad in Kilmainham prison yard.
Roger Casement  to hang on the gallows in Pentonville

Roger Casement
NLI Flickr / No Known Copyright Restrictions

Tearful mothers, weeping wives, lamenting lovers 
Take away lines and letters and parting gifts 
As brave men say last farewells and give reasons,
Denying futility, claiming the supreme sacrifice

“Your life, Seán, your beautiful life.”
Mary, take these four buttons from my coat,
The only gift Mac Diarmada had left to give
Joseph, my little man, be a priest if you can.

Seán Mac Diarmada
NLI Flickr / No Known Copyright Restrictions

Counting the cost, McDonagh was ready to pay 
And ‘his song floated upwards on the wings of daring’.
Ceannt faced the firing squad after his confession
Content that Ireland had shown she was a nation

Thomas McDonagh
NLI Flickr /No Known Copyright Restrictions

Heuston died on a soap box, a youthful, calm and fearless face
Joseph Plunkett went to death husband to his darling Grace
Marriage vows exchanged in the prison chapel, bayonets fixed
To the witness words of the Enniskillens chanting prayers.

Beside crucifix carrying priests they walked at dawn
To where a wooden box and sand bags marked a place,
Where they stood to wait, blindfolded and hands bound, 
Before their writhing bodies fell on blood they jointly shed. 

Kilmainham Gaol
Image by: psyberartist (Kilmainham Gaol)/ Wikimedia Commons (CC BY 2.0)

‘Untie my hands, remove the blindfold’. 
Wishes of McBride, duty bound, the officer denied.
A white target square upon his breast, Con Colbert 
Moved it to a higher place, upon his heart to rest. 

Thomas Clarke entrusted to his wife a final message
To let the Irish people know that he and fellow-signatories 
Had struck the first successful blow for freedom
And  the next blow would win through’. He died happy.

Michael O'Hanrahan
NLI Flickr / No Known Copyright Restrictions

Hanrahan, Daly and Willie Pearce joined freely in the fight
And walked to death as brave as any that had gone before.
Men of vision, Sons of Ireland, faithful and they fought
And the dream lived on in the conscious heart of a nation.

Irish Sky
Image by: By Fabiog82 (Own work)Wikimedia Commons (CC BY-SA 3.0)

~~~~~~~~~~
Text: © Rose Morris
Rose Morris was born near Dungannon, in Co. Tyrone. Having retired from a career in Art and Design Education in Greater Manchester she now spends more time pursuing her creative interests and involvement in community projects in Manchester and County Tyrone.
She co-founded the Manchester Irish Writers group with Alrene Hughes in 1994.
Her continued involvement and sharing within that group has greatly enhanced the development of her own writing. 
Her short stories, monologues and poetry have been included in the Manchester Irish Writers’ published collections; The End of the Rodden, The Retting Dam, Stone of the Heart, Drawing Breath and Changing Skies.

Rose wrote 'Proclaim the Dream' for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.


Monday, 23 January 2017

Constance Markievicz: The Revolutionary Countess

By Marion Riley


Countess Markievicz by John Butler Yeats
[Public domain], via Wikimedia Commons

Countess Markievicz was born Constance Gore-Booth in 1868 in London to Sir Henry Gore-Booth, the famous arctic explorer. As an Anglo-Irish landlord, her father was not typical of his type and administered his lands with a degree of compassion for the peasantry who farmed it. He is reported to have provided famine relief in 1879 at his estate in Sligo, This act of compassion undoubtedly inspired humanity and concern for the poor in his daughter. Living in Sligo, the family were friends with the family of W.B. Yeats, the poet.

Lissadell House, Ballinful, Co. Sligo- Constance's childhood home.
Photo: Kay Atherton [CC BY-SA 2.0], via Wikimedia Commons

Constance studied painting in London in 1893 where she became involved in the issue of suffrage for women, joining the 'National Union of Women's Suffrage Societies'. She continued her artistic studies in Paris in 1898 where she met Count Markievicz, who was a Ukrainian aristocrat of Polish origin. They wed in 1901 and returned to Sligo where their daughter Maeve was born. They settled in Dublin in 1903 where the Countess co-founded the 'United Artists Club' which was a cultural and artistic organisation. In 1908 she joined Sinn Fein. She continued to participate in the Suffragette movement in England and by standing for election she helped to defeat Winston Churchill in a 1908 Manchester by-election.

Open Christmas letter from the Suffragettes of Manchester.
Eva Gore-Booth, Constance's sister, is listed on there.
Image: Manchester Archives+ from Manchester, United Kingdom
[CC BY-SA 2.0], via Wikimedia Commons

In 1909 she established the radical 'Fianna Eireann' which was aimed at instructing a youth army in the use of firearms. She was jailed by the British authorities in 1913 after speaking at an IRB rally to protest the visit of George V to Dublin. She also joined the Irish Citizen Army (ICA) established by James Connolly.

As a Lieutenant in the ICA the Countess participated in the Easter Rising of 1916 where she was second-in-command at the fight on St. Stephens Green. Initially the rebels dug trenches in the green but soon retreated from this position once they became vulnerable to snipers positioned on the high buildings around the enclosed green. Under the command of Michael Mallin they occupied the Royal College of Surgeons, rebelling for a total of 6 days.

Studio portrait c.1915 of Countess Constance Markievicz (née Gore-Booth)
in uniform with a gun.
Photo: National Library of Ireland on The Commons (Flickr: Countess Markievicz)
[Public domain], via Wikimedia Commons

They surrendered only when they received a copy of Padraig Pearse's surrender order. The Countess was jailed in Kilmainham and sentenced to death but her sentence was commuted on grounds of her gender. She was released from prison in 1917 by which time the tide of support had turned in favour of the rebels and the path to independence was set.

In 1918 she was again jailed for her anti-conscription campaigning but upon release was elected to the English parliament, refusing to take her seat. She was the first woman to be elected to the House of Commons. She was a member of the first 'Dáil' (Irish Parliament) in 1919 and became the first Irish (and indeed European) Cabinet Minister, serving as Minister for Labour from 1919 to 1922.

Clare elections, victory procession led by pipers, with Countess Markievicz in white coat.
Photo: National Library of Ireland on The Commons [No restrictions], via Wikimedia Commons

She joined DeValera in opposition to the Anglo-Irish Treaty of 1922 which partitioned the country and fought in Dublin in the ensuing civil war. She was again imprisoned but this time by her former comrades-in-arms. Upon her release, she became a founder member of Fianna Fail and was elected to the fifth Dáil in 1927. DeValera had by this time changed tactics and intended to participate in the parliament. The Countess however, never got her chance when, at the age of 59, she died of tuberculosis (or possibly appendicitis) in July of 1927. She likely caught the disease while working in the Dublin slums. Her husband and family were by her side.

Glasnevin Cemetery
Photo: William Murphy from Dublin, Ireland [CC BY-SA 2.0], via Wikimedia Commons

She was buried in Glasnevin Cemetery in Dublin, the final resting place of so many Irish patriots with a farewell crowd of 300,000 in attendance.
~~~~~~
Text: © Marion Riley

Marion Riley was born in Limerick city and emigrated as a teenager to Manchester. She has worked in Sardinia, Spain, Switzerland and France. A winner and runner up of Irelands Own writing competitions, the magazine has published many of her stories and articles. Her monologues have been performed at the Library Theatre and the Royal Exchange and her poems and memoirs have been published in various anthologies such as Write North West. 
Two of her short story Films 'Curls of the Past' and 'Letting Go' are on the BBC website Telling Lives. She has also edited and published her late mother's memoirs' From Kerry Child to Limerick Lady.' Marion now lives in Sussex, close to daughter where there is space and peace for quiet reflection on life's transience.

Marion wrote a monologue 'I Did What Was Right & I Stand By It' based on Countess Markievicz's life for MIW's commemorative event, '1916: The Risen Word'. 1916TRW was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.


Sunday, 3 July 2016

Lest We Forget: Poem for Somme 100

By Bridie Breen


Our final post in Manchester Irish Writers' commemoration of the Battle of the Somme.

LEST WE FORGET

https://commons.wikimedia.org/wiki/File%3AThe_Battle_of_the_Somme%2C_July-november_1916_Q4327.jpg

Lest we forget
a watery grave 
or grovelling in muck
in rat filled ditches
by brave young men.
Hell bent on justice
and survival.

There for duty
loyalty to brother 
allies and crown
Full of desire
for a better world
with freedom from tyranny.

No time to admire
amber sunsets
at Arromanche
Each new day dawn
scattered the dead
in grit and gloom.

Ashes to ashes
away from home
Au Revoir letters
written before bullet
shot and shell.


Resilient mothers
suffocated by grief
as paper telegrams 
choked breath and dreams.

The unborn unknowing
of the reason
for bravery.
Three score and ten
the allotted span 
where peace reigns.

Lest we forget 
the sacrifice
of a ghosted generation
that gifted our sleep
by their bloodied youth.

Beaches of golden silt
buried deep the past
Inscriptions as markers
of heroes not forgotten.

We the keepers 
the watchers
of our world.
Lest we forget.


~~~~~~~~~~~~~~
Poppy images courtesy of & © Alison Morton.
Text © Bridie Breen
Bridie has been a member of Manchester Irish Writers for quite a few years. Although her first love is poetry, she writes on all topics. She has contributed to the group’s publications “Stones of the Heart” and “Changing Skies”. Her Changing Skies piece is available to download as a voice over. She regularly performs at the group’s events. She has had successful collaborations with New Attitude theatre and Emerge theatre in the past and more recently performed with Athlone Poetry in the Park group. She has taken her love of poetry to local cafe settings. She enjoys writing short scripts too. Her wish is to have a poetry anthology published. In the meantime, she’ll be trying out at performance style poetry venues to showcase new work in the coming months.

To find out more about MIW's Somme 100 Commemoration, please click here.