Showing posts with label Embassy of Ireland. Show all posts
Showing posts with label Embassy of Ireland. Show all posts

Sunday, 19 June 2016

My Mother's Life in Manchester in 1916

By Barbara Aherne

As the Proclamation was read in Dublin, back here in Cheetham Hill in Manchester, my mother was almost 10 years old. Her family, the McHerrons had arrived from Belfast at the turn of the century and the Titanic disaster in 1912, with its Belfast connections, had been a significant event in the household. Now, in 1916 she was witnessing the effects of the First World War on her neighbourhood.

My mother as a girl outside St. Chad's church. 

In North Manchester there were rows of terraced houses around the Cheetham Hill road area. It was a diverse area but its residents were predominantly Jewish. Mother said she was often asked to go into a Jewish household to light the gas stove or the fire on Friday evening as she was passing, at the start of the Sabbath. Sabbath was from sunset Friday to sunset Saturday.

My mother’s family were parishioners in the parish of St. Chad. There was a large Catholic population with many Irish immigrants too but often the local English and Jewish neighbours would call my grandmother ‘the Scotch woman’ because of her strong Ulster accent. My uncle was head altar boy until his untimely death at the age of 18 in 1921, due to a burst appendix, causing acute peritonitis, for which there wasn’t any cure in those days.

My grandmother, Mary Doyle nee Wood.

Life then was obviously very different to present times. There were still horse drawn carts and carriages on the roads, and bicycles, if you were lucky enough to have one. Parents were also very strict with their children, manners were very important. Women and girls wore very long dresses and coats, almost down to their ankles and did not wear trousers, as it was considered to be unladylike. My mother used to help the housekeeper in St. Chad’s presbytery. If mother answered the door and said to the housekeeper, “There is a lady at the door,” the housekeeper would reply, “is she a lady or is she a woman?” as there was a difference in those days. Not every woman could be called a lady!

My Aunty May

Manchester then consisted of just the town centre and surrounding suburbs. It was very industrial with factories in places like Ancoats and Moss Side. Cheetham Hill was full of clothing factories with workers often working in dire conditions. There was a lot of poverty in the Manchester area and the working class families living in newer housing estates were quite privileged.

My mother was fortunate and learned to type and do shorthand and got employment with a mail order company as a secretary. She was seventeen and a half when her father died in 1924 and she became the main wage earner in the family.  Irish families entertained themselves with storytelling, music, song and dance often in the home but sometimes they congregated in the local public houses. They managed to survive in spite of the poor conditions in some families.

https://upload.wikimedia.org/wikipedia/commons/f/fe/WW1_Churchills_Pendleton_women_at_work_1916.png
Female workers at the factory of Churchill Machine Tool Co Ltd,
Pendleton, Manchester, 1916

My mother’s father worked at the Victoria Hotel in Manchester, and as far as I know was never in the army. He would have been about thirty seven in 1914. My mother always said he had poor health due to a rheumatic heart. They could also tell which were his boots because of the shape. His joints and particularly his feet had become misshapen.


St. Chad's church today. 

Whilst the war events in France were discussed widely in the newspapers and locality, happenings in Dublin were very low key. The Manchester Evening News of April 26th 1916 states that the ‘Country is Tranquil outside Dublin’; that censorship was vital to prevent neutral countries like America from gaining a false impression of the importance of what had taken place and that the Pope recommended the people to remain quiet. The Irish situation at that time was not discussed within the family. If my mother asked questions my grandmother would say “it is none of your business.”

Although my mother took me to the Gaelic League in the 1940s to learn dancing and the Irish Language, my parents never discussed anything regarding the history or politics of Ireland and it is only in my later years that I have learned more about Irish history.

~~~~~~~~~~~~
Text & images © Barbara Aherne.
Image of Pendleton factory is Public Domain via Wikimedia Commons.

Barbara Aherne has been a member of Manchester Irish Writers for many years. Born in the city in the 1940s, she has always lived in Manchester. Both of her parents were from Irish families. Her mother introduced her to Irish music and dancing at a young age. Barbara joined Seán Dempsey’s group of dancers when they moved into the Irish World Heritage Centre in the 1980s and has been a member ever since.

She is also a long-standing member of the Irish language group at St. Kentigern’s in Fallowfield. Her first piece of writing was done for Alan Keegan’s book “Irish Manchester.” She is interested in her family’s history and has recorded stories her mother told her from when she was a young girl.

Barbara wrote 'My Mother's Life in Manchester, 1916' for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.


Sunday, 12 June 2016

Both Sides of the Divide: Poem

By Martha Ashwell

A great deal is written about the qualities and virtues of brave men and women who fight in wars but one side does not have a monopoly on such qualities. Both sides share the same talents and weaknesses. Both sides contain good and bad people. One individual is aimless, another finds purpose – winners and losers on both sides.

One person’s power means another person’s weakness or submission – in the end gain cannot be measured. Death and loss affects everyone. We all share the same human emotions, no matter what our cause. We can all understand our own point of view but what about the opposite point of view? We keep telling the stories but there comes a time when we need to consign history to the past and move forward.

I wrote this poem for us all to remember. To be proud. To give and accept forgiveness and be reconciled. 

BOTH SIDES OF THE DIVIDE

Poets and musicians,
Traitors and dreamers,
Saints and sinners,
All existed
On both sides of the divide.


Brave men and cowards,
Heroes and heroines,
Scoundrels and lords,
All were fighting
On both sides of the divide.

Aimlessness and purpose,
Glory and honour,
Victory and defeat,
All were present
On both sides of the divide.

Pride and shame,
Guilt and regret,
Love and hatred,
All were felt
On both sides of the divide.


Power and weakness,
Gain and loss,
Man and boy
Fought side by side
On both sides of the divide.

Widows and widowers,
Parents and children,
Sadness and tears
Flowed so bitterly
On both sides of the divide.


Now I see clearly, so clearly.
For healing time has intervened.
Our cause was noble, even divine
Everyone said so!
On our side of the divide.

Tell your children,
Speak of valour.
Hide the blood soaked bodies
Deep in the earth you love
On our side of the divide.

Honour your dead.
Uphold their memory.
Let freedom endure.
Gun shots reverberate
On our side of the divide.


Change the text of Revolution
To a softer sound.
Hearts and minds seek resolution
Hands at last unbound
On our side of the divide.

Put grief in a box and
Place it gently in the grave.
Accept what has passed.
Seek reconciliation
On our side of the divide


Forgive your enemies.
Forgive your brothers.
Move forward in accord.
Embrace true peace and gain true freedom
On ALL sides of the divide.

~~~~~~~~~~~~~~~~~~~
Martha Ashwell lives in Stockport and is a member of Manchester Irish Writers.  She loved writing as a child but only started writing seriously about four years ago.  She has written poetry and prose which has been performed at The Irish World Heritage Centre in Manchester.

Her main achievement to date is the publication of her personal memoir ‘Celia’s Secret: A Journey towards Reconciliation’.

Find out more by visiting her website at http://marthaashwell.co.uk/home/

The text used in this post is © Martha Ashwell and the images are © E.M. Powell.

Martha wrote 'Both Sides of the Divide' for MIW's commemorative event, '1916 - The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.


Sunday, 5 June 2016

Michael Rogers, Seanachai: Monologue Part II.

By Kathleen Handrick.

This is the second part of my fictional monologue spoken by Michael Rogers, who was a prisoner amongst the hundreds detained in Frongoch Internment Camp, Bala, North Wales after the 1916 Easter Rising. He was a contemporary of my grandfather, the two families living beside each other in North Mayo, a place steeped in Irish history, being the site of the French Landings in 1798.

Michael was described as one of the greatest Seanachai (storyteller) of his time by Eoin MacNeill. 

In the first part of the monologue, Michael talks to new arrivals in Frongoch and you can find that here. In this, the second part, he recites a story to them given to him as a child from an old neighbour, Mickey Forde, who witnessed the arrival of the French soldiers in 1798 at Kilcummin, in the parish.

Michael's Story of Lacken, North Mayo 1798

Look at ould Mickey Forde now. He must have been nearly eighty when I was but a child. He'd sit down by the back strand, waiting for the men to bring up the mackerel. Then we'd all go along to his cabin for a bit o’ kitchen and then, there'd be singing and dancing and storytelling... oh ’twas great sport we had.

Would you ever believe now that Mickey was a garsún in '98.  Just think on that a young boy...in ‘98!
Come.  Éist liom anois.

Listen now and I’ll tell ye the story just the way Mickey would be telling me when I was a youngster.

I was roaming above in the fields and I saw three strange ships anchored below in the bay. I ran like the hare to tell my father but he couldn't be found. There were neighbours and strangers running and roaring everywhere -crying out that the French had landed! We children were told to stay at home and not go wandering abroad.

Commemoration at Kilcummin
© Kathleen Handrick

But me, well now, I was an adventurous kind of lad, and a day or two later, I crept out to the crossroads. Suddenly, I heard a tremendous sound – like thunder -  yet the afternoon was a fine one. I scrambled down beneath a hedge and looked along the Foghill road. I saw, coming towards me over the rise, a great dark cloud. There were sparks of light flashing here and there and, as the vision came closer, I thought my ears would burst with the deafening sound.

'Twas the foreigners - marching to the beat of a fife and drum. They were led by a horseman wearing a long green coat and a tall fur hat, sitting upright and bowing his head to the one or two countrymen who were standing in the fields. He looked most fine.  As the soldiers passed me by, I saw it was the sun, striking the buttons on their jackets, that was causing the flashes of light to blind me.

Statue to commemorate the first French Soldier to die on Irish soil in 1798.
© Kathleen Handrick

I heard again the sound of another horse and as it came nearer, I saw it was a gig and in this gig, there was a man, like none I’d ever seen before.  He was dressed in the grandest style- a wide black hat upon his head and a splendid uniform with gold on his shoulders and jacket. There were even more soldiers marching behind him.

 Now ... I thought then, my mind had been affected by this happening, because there - to my astonishment– following all this were my own people – a great crowd of them talking and shouting excitedly.  They were carrying pikes and pitchforks –sticks and loys- and there- in the midst of them was my father!

St Cummin's Church
© Kathleen Handrick

I scurried back home to my mother and found her with the women kneeling in prayer at the holy well.  They stayed there, waiting for news ... on their knees praying - and all the time, they say, you could hear the uproar from Killala, above in Cashel.

Now my lads, Mickey would tell me that story often and I would be at his feet – just like you now - and I’d never tire of it.

Yes, his father did return - a beaten man but others ... alas, they never came back.

Poor Mickey, the Lord have mercy on him. He went to meet his maker in heaven, still longing for the day his father's dreams would come true.

Images & text of this post © Kathleen Handrick.
~~~~~~~~~~~~~~~
Kathleen Handrick is retired and lives in Oldham with her husband and family.  She joined MIW in 2013 as a novice writer and enjoys participating in the writers’ events. Her Irish roots are in County Mayo.

Kathleen wrote ‘Michael Rogers’ for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.




Sunday, 29 May 2016

Michael Rogers, Seanachai: Monologue Part I.

By Kathleen Handrick

My fictional piece is a monologue spoken by Michael Rogers, who was a prisoner amongst the hundreds detained in Frongoch Internment Camp, Bala, North Wales after the 1916 Easter Rising. He was a contemporary of my grandfather, the two families living beside each other in North Mayo, a place steeped in Irish history, being the site of the French Landings in 1798.


Michael was described as one of the greatest Seanachai (storyteller) of his time by Eoin MacNeill.
Douglas Hyde published Michael’s work in his collections of traditional Irish stories. He was an employee and close friend of Patrick Pearse and his friendship with Eamon De Valera continued until Michael’s death in 1936 in Rathfarnham.


In this first part of the monologue, Michael talks to new arrivals in Frongoch.

MICHEAL MAC RUAIDHRI - MICHAEL ROGERS

Cén chaio a bhfuil sibh? Suígí sois anois. Ah, maith go leor!

Now, that's no problem. I can use the English language if I need to but ... it’s not a thing I’d be given to boasting about!

So, how’re ye doing anyway, lads, and welcome to Frongoch! Were ye in the gang brought in from Stafford yesterday? 

Public domain, via Wikimedia Commons
Captured Irish soldiers in Stafford Gaol after the failed 1916 Easter Uprising.
Michael Collins marked with an 'x.’

Well the air and the scenery here’s better than in those English gaols, I'd say.

Some of the lads, now, say it puts them in mind of Wicklow or Galway even but that’s a bit o’ wishful thinking. It’s certainly not home anyways - you’ll be finding that out soon enough.

I wonder now, is that what they call English wit, do you think- to detain hundreds of Irishmen in a dry distillery! Huh, you'll see quite a few of 'em taking in a few good breaths down there ... but I fear they be disappointed. It's only the smell of the rats, they'd be getting. 

The guards? Well now, I suppose, they could be worse. Some are getting on a bit now – the fights gone out of them... but...just watch your man over there, though. He'll be after you to volunteer for France, especially if he knows you only have the English.

In fact lads - it's best if you just lay low for now. Don't get yourself noticed for the wrong things. There's plenty here to be filling your time - Irish, history, politics – even a bit o’ Latin –though I’d be thinking now, you’ll be well able at that already ! Of course, then there's football, running and plenty o' marching. 

I tell you now, you'll be amongst the finest specimens around Dublin when you leave here –fit and educated – what could be better!

Ah, were you down below earlier? Well, most evenings now I lead the rosary. Just listen out for the bell and come along.

Take it from me lads; it’s a great comfort – all those voices raised in prayer...

“Sé do bheatha, a Mhuire, atá lán de ghrásta ...”

and now, I'd say- it's a good sign to them - that we all stand together- we won't be broken. And some of them join in you know.

In fact, Sergeant Matthews even asked us to pray for his son - killed in France. That was no problem. He's a decent enough ould fella.

Me? Well, indeed, I am an old man. Old, I suppose, to be in here anyway amongst all you young fellas!

Now then, listen here and I'll tell ye. 

I was born and raised in Foghill, in the parish of Lacken, Mayo... 1860, by my reckoning. 


And – that’s right - you are correct – I am known as a story teller -Seanachai.

I didn’t learn that kind o’ thing at school though. Well, now, that place wasn’t for me at all.

No, I much preferred the company of the old folk around and ... I'd be thinking now, I learnt more that way. I would listen to their stories, their music – their way of talking and ... I would gather it all together and store it away – not only in my head but in my heart.

Oh, I heard all the ancient legends from them –of Crom Dubh and the blessed saint himself, and I've recited them often enough. I just love to be telling them and to be sure

I was winning many a medal for my efforts but I’m telling you now, my people taught me much more than those tales.

I tell ye, there were many stories of great sadness and hardship and you know, you don’t forget those kinds of things when you hear them, even though you're but a child.

They stay with you and form your thinking- they grow in you and you need to do something. You must!

But ... first, I had to earn my living. I became a gardener so – and, after a few jobs round about, I was offered work up in Dublin in the gardens in one of the big houses. That was ... more than twenty years ago.

I was in demand for my language - to give lessons you know and my love of stories and music introduced me to others who thought like me. Then I met Pádhraic - Patrick, may God be merciful to him.

Public domain, via Wikimedia Commons
Pádraig Pearse
He was no more than a boy then ... and he too loved the ancient stories and our native tongue.

He is –oh, I can't yet think of his cruel death, you know - he was, I mean – so passionate! He believed so much in educating our young– in Irish for Ireland - and I am so proud to be part of that school. I'm the only native speaker there you know! Fair play to them- Pádhraic and the others – they all learned it and they cherished it like me!

My job? Well, I’ve been the gardener and lodge keeper now since the school opened ... keeping a keen eye over the comings and goings. I teach a bit of horticulture- gardening - and I converse with the boys.

The lads from Connemara, now, ah they’re grand -they relish the lessons and the chat ... but the ones with only the English – hmm- they think I'm a hard task master. 

They need to learn though - like yourselves. It's the future – and - pay heed to my words, we will be free one day to speak and live our own ways. That's my prayer anyway and it will happen, I do believe.

Well, you know Pádhraic and me, we liked each other, right from the beginning and that’s why we got on so.

I suppose you could say, I've been like a father to him since his own father died. We have a certain – ‘trust’ of each other– did have a trust- there I go again – that was different to that of him and his brother, Willie.

Let me put it this way – there is more to me than a gardener and Pádhraic and the rest thought so too.

Ah yes, I was... I was there beside him at the Post Office. I wanted to stay but he sent me back to the school - to tidy things up and look after the women folk. It was a most distressing time and the... well ... they rounded me up too... and ... here I am!

Sin é.

That's enough for now of the ramblings of an old man.

Now my boys! Can you hear that fiddle? Are you singers? The lads have a few songs most nights. It passes the time before lights out. There's still time for you to go and join in.

Me? No I won't be bothering this evening. I'll just stay here and think about Pádhraic for a while. You know ... when he was in Kilmainham, he sent a farewell message to me and I pray it every night since.

Slán leat, a Mhicheál, Slán leat go deo.

Slán leat a Mhicheál, as Contae Mhaigh Eo!

Slán agus beannacht leat, a Phádhraic.

Part II of Michael's monologue, where he recites a story given to him as a child from an old neighbour who witnessed the arrival of the French soldiers in 1798 at Kilcummin, in the parish, wwas published on the MIW Blog on Sunday 5th June 2016. You can read it here. 

~~~~~~~~~~~~~~~~~~
Image credits:
Prisoners at Stafford and Patrick Pearse are in the Public Domain, via Wikimedia Commons.
Map of Mayo is in the Public Domain, via The British Library. 
Michael Rogers plaque & text of this post are © Kathleen Handrick.

Kathleen Handrick is retired and lives in Oldham with her husband and family.  She joined MIW in 2013 as a novice writer and enjoys participating in the writers’ events. Her Irish roots are in County Mayo.

Kathleen wrote ‘Michael Rogers’ for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.



Sunday, 22 May 2016

Beauty Born: A Poem

By E.M. Powell

In Ireland's 1916 Easter Rising, 590 people were killed:  374 civilians, 116 British Soldiers, 77 insurgents and 23 members of the police forces. But these figures do not show that 40 were children aged 16 and under. Irish broadcaster and writer Joe Duffy has told their story in his moving book, 'Children of the Rising', and it was one of those accounts that inspired me to write this piece.


Little Sean Francis Foster was one of the first to lose his life in the Rising on Easter Monday morning. He was in his pram when he was shot, according to his death certificate, ‘through the head at the level of ears’. His mother, Katie, was with him. He was two years and ten months old. My poem, 'Beauty Born', is about that event.

BEAUTY BORN


This death carriage needs no plumed horse to turn heads to its passing,
with ripped hood and scorched cover that skewer every eye.
The cheerful sun stares down on shattered glass 
and splashed milk, and every running streak 
turns bile-sharp in its gaze. 

Smeared berry red, a tiny mouth yields only iron’s tang 
to pleading, screaming kisses. The silent wound 
that gapes, that glisters with afterbirth’s deep warmth, 
will never need a doubter’s hand to test 
a rapid resurrection. 

No close-worked wool or crochet shawl will halt its lasting cool.
Void-stained creases are washed and rinsed with soft cotton and water,
cut through with salted torrent from a womb’s unemptying font.
Then dried with care and covered clean and dry and stiff with starch
to aid a peaceful rest. 

Hands on beads beg for reprieve to the Virgin whose man-child 
visited but three days’ death before rising up again.
Yet only silence leaves the lowly beggar to hang on nails of grief,
while those who latched on to a dream, suckled hard with eager mouth,
stalk through time like Lazarus, 
and beauty born is gone. 


~~~~~~~~~~~~
Image credits:
'Children of the Rising' by Joe Duffy cover: © Central Press/Getty Images.
Pram: Livrustkammaren (The Royal Armoury) / Samuel Uhrdin / CC BY-SA via Wikimedia Commons. 
Celtic cross is © E.M. Powell.

MIW member E.M. Powell was born in Cork City into the family of Michael Collins. 

She now lives in Manchester with her husband, daughter and a Facebook-friendly dog. Her medieval thriller Fifth Knight series has reached bestseller lists in the U.S., the U.K. and Germany.

Book #3, THE LORD OF IRELAND, was published by Thomas & Mercer on April 5 2016. She is also a contributing editor to International Thriller Writers The Big Thrill magazine, blogs for & edits English Historical Fiction Authors, and reviews fiction & non-fiction for the Historical Novel Society and is part of the HNS social media team. Her website can be found at www.empowell.com.

Elaine wrote 'Beauty Born' for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.


Sunday, 15 May 2016

Summer 1979: Poem.

By Patrick Slevin

In 1979 we were holidaying at my aunt's in Ballinamore, Leitrim. On a day trip to my father's home town of Westport we visited a relative's house where there was a picture of the signing of the declaration of the Irish Republic. I was six years old and mistook it for the Last Supper. 



In this poem, it is the journey to a relative's house which is described, as well as the journey my father's emigrant generation took-- and also the relationship second generation Irish have with the home they will never live in but are brought up to believe they are forever connected with.



SUMMER 1979

Brought back for summer headlines before the
Copy warmed, the sixth edition ran
Stories, from another press. Black on white
And black on red, borrowed plates to serve 

The picnic, the temporary Beetle meandered
Under the Eagle’s weary eye. Beyond
McBride’s, beyond the Quay, beyond those
Leitrim two-week lanes. My father took the


Uncle’s chair, a Covey coming back to 
Where he’d kangarooed Brylcreem style, long
Before the Boomtown Rats. All day to look
At Old Head rain and then the favela 


Of the dead, grass swept under tarmac before 
A turkey ran me laps. Outside familiar 
Frames, slurred voices hid by welcome turf,
Strangers disguised as cousins, grandsons

Of the same revolt. We stood as victims 
Of a reclaiming Empire while they just 
Farmed the family acres. Mistaken 
Apostles gazed down on us, rising  


For the last supper. Explanations came  
Thick and fast, inside that room I could have 
Cried and cried. Laughter didn’t ease the pain
Amongst the vow of silence. Cajoled, hair   

Ruffled, amid proclamations of what  
Would you expect? We broke bread together,   
I suppose I was one of them. The  
Collection envelopes had gathered 

Once, in that house where the missed still shone. 
In the slumbered sunset, isolated 
Dreams had long since dimmed. They talked us round 
Whispered routes, of English wakes, of 

Lavery’s next years. Looking out for names 
On maps, exhausted fumes carried fresh goodbyes. 
Down a silent unlit road, looking for 
Directions home, but home was someone 


Else’s house, where we’d never live. Soldiers 
Without much song in our heart. Loaded full 
With heavy salutes. For fallen comrades 

And for us. For the land of heroes gone.

~~~~~~~~~~~~

Manchester Irish Member Patrick Slevin lives in Stockport. He has been writing poems and stories for many years.

The images and text used in this post are © Patrick Slevin except for the image of the 1916 signatories which is in the Public Domain.


Patrick wrote 'Summer 1916' for MIW's commemorative event, '1916: The Risen Word', which was performed at the Irish World Heritage Centre, Manchester on March 10 2016. MIW received the generous support of the Embassy of Ireland for this event.